But she has never told him where the money came from, as his pride would suffer.
Nora and Torvald's marriage appears to be a conventional one, entirely consistent with prevailing middle-class standards of respectability.
Torvald is the undisputed head of the house, the paterfamilias and sole breadwinner whose overriding purpose in life is to protect and provide for his family.
Nora's role within the marriage is also highly conventional. At first, she's a rather meek, submissive figure. Torvald seems to love her, but Initially, all seems well in the Helmer household.
Torvald seems to love her, but also treats her like a child, calling her things like "scatterbrain" and "my little squirrel. Torvald rules the roost and that's precisely what society expects of him.
As their relationship is largely conventional, with no real depth to it, it's not surprising that Torvald doesn't consult with Nora concerning the household finances.
As far as he's concerned, Nora's too naive, too inexperienced to be bothered with such details. As head of the house, he holds the purse-strings and, as such, is the only one needing to be aware of the state of the family finances.
Yet, it is ultimately Torvald who proves to be the more childlike of the two. Rand points out, it is Torvald who needs to be protected from the harshness of this world; he simply cannot face up to anything ugly.
Torvald is not just childlike, but childish, as we see in the petty, vindictive way he fires Krogstad. And it is Torvald's arrested development that ultimately destroys his marriage, allowing Nora to assert herself at long last.
As the play develops, the tables are turned in suitably dramatic fashion. Nora emerges from the constraints of her previously doll-like existence to become a woman in her own right. Unlike Torvald, she has the courage and the maturity to face up to the harsh realities of life, especially in relation to business.
It was she who confronted head-on the unpleasant details of Torvald's illness, for the treatment of which she got into considerable debt.
Once again we see how the outward respectability of Nora and Torvald's marriage merely papers over the cracks of secrets, lies, and countless deceptions. Yes, Nora lied—and also broke the law—in obtaining the loan to pay for Torvald's health care, but it wouldn't have been necessary for her to have done this had Torvald treated her as an equal and been able to face up to the grim reality of his illness.
One measure of the way in which the relationship's dynamic has changed lies in how Nora starts to manipulate Torvald and also Dr. Rank, playing on their low estimation of her intellectual abilities. If she cannot openly express herself, then Nora will act the part of coquette to get what she wants.
Yet an act is all it is, for Nora is becoming more self-aware of who she is and of her growing influence within the marriage.From a general summary to chapter summaries to explanations of famous quotes, the SparkNotes A Doll’s House Study Guide has everything .
Symbols and Symbolism - A Comparison of Nicknames in A Doll's House and Major Barbara - Symbolism of Nicknames in A Doll's House and Major Barbara The use of nicknames in literature is an important tool in which the author can provide insight into the attitudes of the characters toward each other and to provide illumination as to the nature of specific characters.
Detailed analysis of Characters in Henrik Ibsen's A Doll's House. Learn all about how the characters in A Doll's House such as Nora and Torvald contribute to the story and how they fit into the plot.
Watch Novinha Faz Video Caseiro Toda Molhadinha - free porn video on MecVideos.
"A Doll's House" is classified under the "second phase" of Henrik Ibsen's career. It was during this period which he made the transition from mythical and.
Ibsen’s “A Doll’s House”: Analysis & Summary. The character of Nora is not only important in describing to role of women. A Doll's House (Bokmål: Et dukkehjem; also translated as A Doll House) is a three-act play written by Norway's Henrik r-bridal.com premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December , having been published earlier that month.
The play is set in a Norwegian town circa The play is significant for the way it deals with the .